Skeptical journalist Ozzie Graham investigates a support group for alien abductees to write about the members' supposed encounters. The more he digs into their oddball claims, the more he realizes there is truth in their stories and possibly even signs that point to his own alien abduction.

Two women retreat to a lake house to get a break from the pressures of the outside world, only to realize how disconnected from each other they have become, allowing their suspicions to bleed into reality.

An incestuous relationship between to siblings after their mother's death, leads one of the characters to feel haunted by guilt. They try to forget their blood ties but they only become more evident and hard to manage.

A woman runs a “mistress service” and interviews young women for “dates” with men. Various couples get together but someone is following and watching them.

The second World War echoes throughout the whole Khutsiyev's oeuvre. The director himself did not participate in the war: "The thing is, I didn't fight. I had been a sickly boy, so I was turned down because I still looked like a child. This is sort of like a debt I've been repaying ever since". In "People of 1941", Khutsiyev recites his favourite pieces by war poets and invokes documentary footage.

World of People was a short-lived syndicated show designed for local stations to run at 7:30 pm, AKA "prime time access". It was co-crested by Bill Hillier and other defectors from the syndicated access hit Evening (PM) Magazine. The format focused on a foursome of hosts who crisis-crossed the globe profiling interesting people, events and local attractions in many countries. High production costs (and some say litigation from PM Magazine distributor Group W Television) had Ted the show's demise.

A Javanese royal and half-Dutch woman fall in love as Indonesia rises to independence from colonial rule.

A compilation of Battlestar Galactica episodes 1–3 and 7–9, with alternate footage. The Galactica and its ragtag fleet of ships finally arrive on Earth, only to discover that the planet is not prepared for the inevitable Cylon invasion.

Chronicling the search for truth and peace in post-genocide Rwanda. Director Deborah Scranton explores issues of peace, retribution, accountability and justice, ultimately discovering a blueprint for ending the cycle of violence. Examining the personal and political repercussions of the deadly conflict in this east African country.

Chronicling the search for truth and peace in post-genocide Rwanda. Director Deborah Scranton explores issues of peace, retribution, accountability and justice, ultimately discovering a blueprint for ending the cycle of violence. Examining the personal and political repercussions of the deadly conflict in this east African country.